Katharine Meynell
Art
& Artist, February, 1979.
Emmanuel
Cooper, The Morning Star, 2nd
January, 1979.
Art
Monthly, July, 1983.
"Kate
Meynell - A Book For Performance", ACE, 1985.
"Hannah's
Song", National Review of Live Art, 1986.
Performance
Magazine, November, 1986.
Third
Generation, Women Sculptors Today catalogue,
1986.
"Hardware
- Four Artists for Islington", Rose Jennings, City
Limits, August, 1987.
('Hannah's
Song'), Independent Media (festival
issue), issue 77, October, 1987, p8 & p13.
"Kate
Meynell", Islington's People, September, 1987.
('Medusa'), Independent Media, December, 1988.
('A
Book for a Performance'), Nick Kimberley,
City Limits, March, 1988.
Steven Bode, City Limits, November, 1988.
('Hannah's
Song'), European Media Arts Festival catalogue, 1988.
National
Review of Live Art catalogue, 1988.
Steve
Bode, City Limits, November, 1988.
Evening
Standard, 28th November, 1989.
('Moonrise'), ‘Video Positive’ catalogue, 1989.
Video
Vis (Camden) Catalogue, 1989.
Artists
Newsletter, April, 1989.
Cornerhouse
(magazine), November, 1989.
Electric
Eyes’ catalogue, Film & Video Umbrella, 1989.
"Video
art passes its big screen test", Nicky Hamlyn, Guardian, 24th
February, 1989.
"Snakes
and Giros", Albina Manning, Independent Media, February, 1989.
"Snakeheads
and Thundermen", Nik Houghton,
Independent
Media, issue 85, January, 1989.
The
Observer, 19th February, 1989.
"Gogglebox
art hits back at telly vision" (Video Positive), John
Wyver, Observer, 19th February, 1989.
National
Review of Live Art 10th Anniversary Catalogue,
1990.
Variant
Magazine, December, 1991.
Video
Positive catalogue essay, 1991.
Women's
Art Magazine, May, 1991.
Abstract,
Still Life, Portrait catalogue, Kettles Yard, Cambridge, 1992.
"Abstract
still life portrait", Chris Meigh Andrews, Art
Monthly, May, 1992.
"Katherine
Meynell and Roz Mortimer", Nik Houghton,
Hybrid, issue 2, 1992.
"New
technology shows artists the way forward",
Adrian Henri, Liverpool
Daily Post, 10th June, 1992,
Katharine
Meynell, Emissions Book,
Gefn
Press, 1992.
(monograph
essay), Stephen Williams, International Artists' Centre
catalogue, International Artists' Centre
Pozan, Poland, 1993.
John
Stezaker, Stains catalogue, Quicksilver
Gallery, Middlesex University, 1994.
What
She Wants, Verso, 1994.
Stephen
Bury, Artists Books,
1995.
"Katharine
Meynell", Chris Darke, Directory of British Film
and Video Artists, The
Arts Council of England, University of Luton Press, 1996, 1-86020 003 6, pp 126 – 127.
Der
Standard, 5th April, 1996.
"The
Pursuit of the Personal in British Video Art", Catherine
Elwes, Diverse Practices: A Critical
Reader on British Video Art, Arts Council/John Libbey
Media, Luton, 1996, 1 86020 500 3, pp 271 – 275.
Observer
(Kunstfehler), May, 1996.
Salzburger
Nachrichten, 4th April, 1996.
Mark
Currah, Time Out, 31st July, 1996.
Catherine
Elwes, Make, ‘technology issue’, December, 1997,
Perrella.Sossai,
Maziere & Elwes, Sweetie: Female Identity in
British Video, Castelvecchi
Arte, Rome, 1998.
Volumes
of Vulnerability catalogue, January, 2000.
"Repetitivity
- Platforms and approaches for publishing",
Katharine
Meynell and S. Johanknecht, Art Monthly, May, 2000.
Cathy
Courtney, Art Monthly, March, 2000.
Stephen
Bury, Art Monthly, November, 2000.
Sharon
Kivland, MAKE, March, 2000.
Martin
Coomer, Time Out, 26th January, 2000.
Andrea
Phillips, SPIN, British Library Catalogue essay, 2001.
"Specifically
Video", Katherine Meynell, Filmwaves, issue
14, 2001.
"Hygiene
The Art of Public Health", Coxall,Skelton & Fletcher, Journal
of Visual Culture, April, 2003.
('The
Island Bell'), Lux Open catalogue, 2003.
Catherine
Elwes, Vertigo, Spring, 2003.
Women’s
Art at New Hall, 3rd edition,
2003.