Chris
Meigh-Andrews
"Moves
& Blurs", The Listener, February, 1978.
Michael
Langford, The Book of Special Effects Photography, Ebury
Press, London, 1981.
"Video
Art", Stills, vol 1, no 4 Winter, 1982.
"Reel
Art", Time Out, 22nd July, 1983.
"The
Stream", Nik Houghton, Independent Media, March, 1988.
"High
Tech Exhibition Features Video Art", Lancashire Evening Post, 29th
November, 1990.
"Video
Sculpture & Installation", Harris Museum, Preston, November, 1990.
"Video
Art Flows into Mercury", Liverpool Daily Post, 21st
August, 1991.
"Visions
& Transmissions", Screen, vol
32, no 2, Summer, 1991.
"Visions
& Transmissions", Artscribe International, April, 1991.
"Video
Positive 1991", Art Monthly, issue
147, June, 1991.
"Chris
Meigh-Andrews: 'Eau d’Artifice’", Catherine Elwes, Performance, Spring, 1992.
"European
Media Art Festival", Variant, November, 1992.
"Osnabruck
Media Art Festival", Frankfurter Rundschau, 17th September, Germany, 1992.
"Abstract,
Still Life, Portrait", Chris Meigh-Andrews, Art
Monthly, issue 156, May, 1992.
Sean
Cubitt, Videography: Video Media as Art and Culture’, MacMillan,
London, 1993.
"Camerawork
on Board", Stage, Screen & Radio, May, 1993.
"River
Crossings", Hybrid, June
- July, 1993.
"River
Crossings", Creative Camera, February
- March, 1993.
"Dummies,
Dolls & Poison Candy" (Tony Oursler),
Chris Meigh-Andrews, Art Monthly,
, issue 171, November, 1993.
"Lost
in Cyberspace", Artists Newsletter, June, 1994.
"Unseen
Images" (Bill Viola), Chris Meigh-Andrews, Art
Monthly, issue 173, January, 1994.
"Interview
with Chris Meigh-Andrews", Cinzia Cremona,
Virus, Milan, April, , 1995, ,
"Chris
Meigh-Andrews", Sean Cubitt,
A Directory
of British Film and Video Artists, Arts Council of England/University
of Luton Press, 1996, 1 86020 003 6, pp 124-125
"Chris
Meigh-Andrews: 'Vortex’", John Forster,
Live Art
Magazine, April-June, 1996.
"The
Pursuit of the Personal in British Video Art", Catherine
Elwes, Diverse Practices-A Critical Reader on British Video
, Arts Council of England/University of Luton Press, 1996, 1 86020 500 7, p 278.
"Chris
Meigh-Andrews, 'Vortex' - A Video Installation", Live
Art Magazine, April, 1996.
"Perpetual
Motion", Chris Meigh-Andrews, City Life, Manchester, October, 1996.
"'Mind's
Eye' - Exhibition Preview", Guardian Guide, 12th
July, 1997.
"'Mind's
Eye'", Chris Meigh-Andrews, Preview, Contemporary Visual
Arts, issue 15, July,
1997.
Chris
Meigh-Andrews (ed), Chris Meigh-Andrews Video
Tapes, Installations, CD-ROMS, University of Central Lancashire, 1997, 0 906694 56 6.
"'Mind's
Eye', an essay", A.L. Rees, Chris Meigh-Andrews Video Tapes, Installations, CD-ROMS, University
of Central Lancashire, 1997, 0 906694 56 6.
"'Mind's
Eye', some notes on the scientific background", Dr Sylke
Grootoonk, Chris Meigh-Andrews Video
Tapes, Installations, CD-ROMS, University of Central Lancashire, 1997, 0 906694 56 6.
"Mothlight", Chiara
Leoni, Flash Art, Summer, Italy, 1998.
"Tecnologia
e ambiente poi amore e...faralle", La Nazione, 17th
April, Italy, 1998.
"Submerged,
Soundings", AN Magazine, July, 1999.
"Fenetre
Digitale", Time Out, 25th October, 2000.
"Case
Study : A Photographic Truth 2001", Chris Meigh-Andrews, Hot
Dots, November, 2001.
"Chris
Meigh-Andrews, Video Tapes, Installations and Projections; 1978-2001", Art
in-Sight, Filmwaves, Issue 15, 2001.
"Nor
Did His Shutter Sleep in his Hand", The Times, 3rd April, 2001.
"Mapping
The Image", Chris Meigh-Andrews, Digital
Creativity, 2001.
"Nothing
Matters", Estonian Art 2,
Estonia, 2001.