Michael Mazière

Publications and Reviews on the Artist:

Nicky Hamlyn, The Film Art Phenomena, BFI, London, 2003.

Clive Gillman, Delirium, exhibition catalogue, Open Eye Gallery, Liverpool, 2003.

“Undercut”, Ian White, Art Monthly, Issue 267, June, UK, 2003

“The Undercut Reader, Critical Writings on Artists’ Film and Video”, Nicky Hamlyn, Filmwaves, Issue 21, 2003.

“South London Gallery”, Time Out, 9^th April, UK, 2003.

“Delirium”, Jane Fletcher, Matters Magazine, Scottish Arts Council, Issue 17 Summer, 2003.

“Delirium”, Kevin Harley, The Independent, 12^th February, UK, 2003.

“UK/Canadian Video Exchange 2003”, Diana Boulton, Matters Magazine, Scottish Arts Council,, Issue 17 Summer, 2003.

“Delirium”, Jessica Lack, Pick of the Week, The Guardian, February, UK, 2003.

“The British Artist’ Film and Video Collection, Steven Ball, Filmwaves, Issue 20, UK, 2003.

“Delirium”, Kevin Harley, The Independent, July 12^th , UK, 2002.

“Desktop Iconography”, Iliyana Nedkova, New Media Scotland, Edinburgh, 2002.

“Delirium”, Robert Clarke, The Guardian Guide, December, UK, 2002.

“From Multiplexes to Museums”, Sarana Mehra, Art Review, Vol LII, Summer 2001.

“Michael Mazière and Cordelia at Wigmore Fine Arts” , Sotiris Kyriacou, Filmwaves, London, Issue 14, 2001.

“Moving Pictures – UK/Canadian Video Exchange 2000”, Kate Elwes, Poolside, Videopool, Canada, & Border Crossings, Canada, 2001.

Sarah-Jane Meredith (ed.) Triptych, exhibition catalogue, South West Media Development Agency, 2001, 0 9539872 2 1.

“Delirium”, Pick of the Week, Guardian, 22^nd October, UK, 2001.

“Minor Adjustments ‑ UK/Canadian Video Exchange”, Kate Elwes, Filmwaves 10, UK, 2000.

Kate Elwes, Out of Bounds UK/Canadian Video Exchange catalogue, 2000.

“Michael Mazière’s Films”: Interview, Filmwaves Issue 9, London, Autumn 1999.

“The Switched on King of the Lux”, Martin Falconer, Highbury and Islington Express , 18^th June, UK, 1999.

AL Rees, A History of Experimental Film and Video, British Film Institute, 1999, 0‑85170‑81‑9.

“Interview: Non Sono un film-maker ‘purista’” Allo Specchio, Lithos Editrice, Rome, Italy, 1998.

“Making Videos in the UK: an overview”, Kate Elwes, British/Canadian Video Exchange Catalogue, 1998.

“Talepiece: Interview with Michael Mazière”, David Brittain, Creative Camera, London, Feb/March 1998.

Maria klonaris/ Katerina Thomadaki (ed.) Pour Une Ecologie des Medias, catalogue, A.S.T.A.R.T.I., Paris, 1998.

“Michael Mazière”, Michael O’Pray, L’Art Du Mouvement - Collection Cinematographique du Musee National d’Art Moderne, (ed. Jean-Michel Bouhours), Paris, France, 1996.

“Interview with Michael Mazière”, William Raban, Vertigo, London, Autumn 1996.

Michael O'Pray (ed.) The British Avant-Garde Film, Arts Council/University of Luton Press 1996 1‑86020‑0044.

“The pursuit of the Personal in British Video Art”, Kate Elwes, Diverse Practices - History of British Video Art, published by Arts Council/ Libbey, 1995.

Maria Klonaris/ Katerina Thomadaki (ed.), Mutations de L’Image, Catalogue, A.S.T.A.R.T.I., Paris, France, 1994.

“Remember Me, A Conversation with Michael Mazière”, C. Baum, Harris Museum and Gallery, UK, 1994.

Peter Callas (ed.) International Guide for Electronic Distribution, Australia Film Commission, Sydney, 1993.

“Michael Mazière”, Experimenta 1992 catalogue, Modern Image Makers Association, Melbourne, 1992.

“Electronic Texts”, The 7^th Australian Video Festival, Brian Langer (ed.), Electronic Media Arts, Sydney, 1992.

“Interview: Michael Mazière”, Anne Barclay Morgan, Artpapers. USA, Nov, Dec Volume 17, n. 6, 1993.

“The Politics of the Personal in British video art”, Kate Elwes , LVA catalogue. 1991.

“From Structuralism to Imagism- Peter Gidal and his influence in the 1980s”, Nicky Hamlyn, Undercut 19, London Filmmakers Co-op, 1991.

“A Language Of The Personal In Video Art – One Mother’s View”, Kate Elwes , Mothers catalogue, Ikon Gallery, UK, 1990.

“Michael Mazière”, Michael O’Pray, A Directory of British Film & Video Artists, The Arts Council of England, University of Luton Press, 1996: 1-86020 003 6.

“Signs of the Times ‑ A Review of the First ICA Biennial”, Moira Sweeney, Undercut 19, London Filmmakers Co-op, 1990.

Tim Highstead, Between Imagination & Reality, ICA Biennial, 1990.

“New British Film and Video at the London Film Festival”, Nicky Hamlyn, Art Monthly, February, UK, 1989.

Peter Gidal, Materialist Film, Routledge, London 1989, 0 415 00382-2.

“From Across the Channel & 15 Years”, Barbara Meter, Undercut 19, London Filmmakers Co-op, 1990.

“Totem and Taboo”, Sue Hubbard, New Statesman, London, Oct. 1990.

International Experimental Film Congress, Catalogue, Art Gallery of Ontario, Canada, 1989.

Alternativ Bioskop, Catalogue, British Council, Belgrade, 1989.

“London Film Festival”, Michael O'Pray, Art Monthly, February, UK, 1988.

“Last Requests”, Nik Houghton , Independent Video, 56, UK, 1986.

“Life In The Trenches”, Michael O’Pray, Undercut 10/11, London Filmmakers Co-op, 1983.

“Visions and Revisions”, Peter Milner, Undercut 1, London Filmmakers Co-op, 1981.

Publications and Reviews by the Artist:

Nina Danino/Michael Mazière (ed), ‘The Undercut Reader, Critical Writings on Artists’ Film and Video’, Wallflower Press, London, 2002, ISBN 1-903364-47-7.

“The Poetic Necessity”, Michael Mazière, Invideo Catalogue, Milan, Italy, 2001.

“Artists in the Moving Image - Notes on Technology and Context”, Michael Mazière, Mediaterra Catalogue, Athens, Greece, 1999.

“The Lux Centre Development”, Michael Mazière, Filmwaves, London, UK, 1999.

Pandaemonium, Festival Catalogue, (co-ed.), Lux Centre, 1998.

“A Traverso L’immagine”, Michael Mazière, Sweetie, Castelvecchi Arte, Rome, 1998.

“Architecture and Memory”, Michael Mazière, Videobrasil Catalogue, Sao Paulo, 1998.

“The Art of Lightness - The Power of Content”, Michael Mazière, ISEA, Eighth International Symposium on Electronic Art, catalogue, Chicago, 1997.

‘Pandaemonium’ Festival Catalogue, Michael Mazière (ed.), London Electronic Arts, 1996.

“See You Later, British artists and television in the 90s”, Michael Mazière, VideoBrasil Catalogue, Sao Paulo, Brazil, 1996.

“Passing Through the Image”, Michael Mazière, Diverse Practices - History of British Video Art, Arts Council/ Libbey, 1996, 1 86020 500 3.

“David Finch, Clive Gillman, Tony Hill ”, Michael Mazière, ‘A Directory of British Film & Video Artists’, The Arts Council of England, University of Luton Press, 1996, 1-86020 003 6.

“Video as Intervention”, Michael Mazière, 1 Minute Worldwide Catalogue - Sao Paulo, Brazil, 1995.

“Panorama of the Audiovisual Poetry in England,” Michael Mazière, Videobrasil Catalogue, 1995, Sao Paulo.

“Terra Di Celluloide”, Michael Mazière, Paesagi catalogue, MLAC - Rome, Italy, 1994.

“Electronic Texts”, Michael Mazière, Australian International Video Festival, 1992.

“On the Road, George Snow's Motorway”, Michael Mazière, Scope Magazine No 1, 1991.

Video-Art Catalogue, Michael Mazière, (ed.) London Video Access, 1991.

“Electronic Imaginaries - British Video Art into the 90's”, Michael Mazière, Bonn Videonale & Osnabruck Media Arts, 1991.

“Electronic Imaginaries - British Video Art into the 90s”, Michael Mazière, Felix Spring Vol 1, Number 1, New York, 1991.

“15 Years of LVA – a Walk through LVA’s collection”, Michael Mazière, Video Positive Catalogue, Liverpool, 1991.

“Mother Desire”, (photo piece), Michael Mazière, Undercut No 19, London Filmmakers Co-op, 1991.

“Once Behind the Iron Curtain”, Michael Mazière, Lovely Jobly No 1, 1991.

‘History of British Video Art’, Michael Mazière, Berlin Videofest, MedienOperative, Berlin, 1991.

“Post-Glasnost Cinema in the USSR - An Interview With Ian Christie”, Michael Mazière, Undercut No 18, London Filmmakers Co-op, 1991.

“Recent Films in Eastern Europe - An Interview with Karola Gramann”, Michael Mazière, Undercut No 18, London Filmmakers Co-op, 1991.

“Eccentricism & Formalism”, Michael Mazière, Kinovecski Zanucku, Moscow, 1990.

“The Power of Lightness - Super 8 Film-making in Britain”, Michael Mazière, Independent Media, No 98, UK, 1990.

“Culture in Revolution”, Michael Mazière, Independent Media, No 96, UK, 1990.

“Snakes & Ladders - The Lucerne Film & Video Festival,” Michael Mazière, Independent Media, No 95, UK, 1990.

“Avant-Garde or Retro Grade?”, Michael Mazière, Independent Media, No 91, UK, 1990.

“Return to Taboo”, Michael Mazière, Independent Media, No 90, UK, 1990.

“The Good Father”, Michael Mazière, Independent Media, No 89, UK, 1990.

“Video Positive”, Michael Mazière, Independent Media, No 88 & Artists Newsletter, UK, 1989.

“Visions & Voices”, Michael Mazière, Artists Newsletter, UK, 1989.

“The Mind's Eye”, Michael Mazière, Independent Media, No 86, UK, 1989.

“Expo 88”, Michael Mazière, Independent Media, No 85, UK, 1989.

“Singular Aesthetics”, Michael Mazière, Independent Media, No 83, UK, 1989.

“Made in the USSR”, Michael Mazière, ndependent Media, No 82, UK, 1989.

“Eisenstein Conference - Celebration or Post Mortem?”, Michael Mazière, Independent Media, No 81, UK, 1989.

“Letter from America”, Michael Mazière, Independent Media, No 79/80, UK, 1988.

“The Exquisite Disorder, Lettriste Cinema: Interview with Maurice Lemaitre”, Michael Mazière, Independent Media, No 78, UK, 1988.

“London 0, Hull 4”, Michael Mazière, Independent Media, No 76, UK, 1988.

“Illuminated”, Michael Mazière, Independent Media, No 75, UK, 1988.

“The Eluded Decade”, Michael Mazière, Independent Media, No 74, UK, 1988.

“The Nutty Professor”, Michael Mazière, Independent Media, No 73, UK, 1988.

“Faded Wallpaper”, Michael Mazière, Independent Media, No 73, UK, 1988.

Light Years, 20 Years of the London-Film-makers Co-op Catalogue, Michael Mazière (ed), London, 1985.

“Night Crossing”, (photo-piece), Michael Mazière, Iron Magazine, 1985.

“Surface Tension” (John Woodman's & Roger Polley's Installations), Michael Mazière, The Structure of Chance, catalogue, 1985.

“Fragmented Views”, Michael Mazière, Undercut No 13, London Filmmakers Co-op, 1985.

“Towards a Specific Practice”, Michael Mazière, Undercut No 12, London Filmmakers Co-op, 1984.

“Yann Beauvais Interviewed”, Michael Mazière, Undercut No 12, London Filmmakers Co-op, 1984.

“John Smith's Films - Reading the Visible”, Michael Mazière, Undercut No 10/11, London Filmmakers Co-op, 1983.

“Content in Context”, Michael Mazière, Undercut No 7/8, London Filmmakers Co-op, 1983.

“Lucy Panteli's Motion Picture”, Michael Mazière, Undercut No 5, London Filmmakers Co-op, 1982.

“Practices Against Film”, Michael Mazière, Undercut No 3/4, London Filmmakers Co-op, 1982.

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