Mark Lewis

 

"Mail Order" (photo montage), Mark Lewis, Undercut, issue 5, 1982, p 30-33.

"An Ideal Place", Art and Design, Academy Editions, London, Summer, 1995.

"On the Monuments of the Republic", October, MIT Press, issue 73, 1995.

"Public Interest: Thoughts on Public Art", Art and Design, Academy Editions, London, Winter, 1996.

"Two Impossible Films", Mark Lewis , Pix, BFI, issue 2, 1997.

"Le Cinema Morcele", 1 Minute Scenario, Le Printemps de Cahors, Cahors, 1997.

"Public Art: An Impossible Art", C Magazine, Summer, Canada, 1997.

"Upside Down Touch of Evil - A Film Project", Mark Lewis, Coil, issue 5, 1997, 1357 9207.

"Iconoclasm and Film", Sur l’experience de la ville, Optica, Canada, 1998.

"Upside Down Touch of Evil", Collapse: Home Improvements and Other Perversions, issue 3, Canada, 1998.

Mark Lewis, The Pitch, Patrick Painter Editions, 1998.

Interview with Mark Lewis, Jeff Wall, Schnitt Magazine, Germany, 1999.

Interview with Mark Lewis, Jeff Wall, Transcript, Scotland, 1999.

Interview with Mark Lewis, Jerome Sans, Trans Magazine, issue 7, USA, 2000.

"Mark Lewis Films", Charles Esche, Mark Lewis Films 1995 - 2000, Film and Video Umbrella, 2000, 0 9538634 0 9, pp 27 – 36.

"Orbital", Steven Bode, Mark Lewis, Film and Video Umbrella, Villa Arson, Nice and Museum of Modern Art, Oxford, 2001, 190427000X, pp 6-18.

"Brent_X", David Turnbull, Mark Lewis, Film and Video Umbrella, Villa Arson, Nice and Museum of Modern Art, Oxford, 2001, 190427000X, pp 20 – 36.

"Disarray", Jean-Pierre Rehm, Mark Lewis, Film and Video Umbrella, Villa Arson, Nice and Museum of Modern Art, Oxford, 2001, 190427000X, pp 40 – 60.

"A Different Take on Cinema", Jean-Michel Bouhours, Mark Lewis, Argos Editions, Kunsthalle, Bern, 2003, 90 76855 14 5, pp 5 – 10.

"Invention and Reinvention in the Films of Mark Lewis (The Set Theory)", Shepherd Steiner, Mark Lewis, Argos Editions, Kunsthalle, Bern, 2003, 90 76855 14 5, pp 15 – 34.

"Painterly Aspects in Mark Lewis's New Films", Bernhard Fibicher, Mark Lewis, Argos Editions, Kunsthalle, Bern, 2003, 90 76855 14 5, pp 43 – 48.

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