Malcolm Le Grice

writing about the artist
"Malcolm Le Grice", Claire Johnston, More British Sounds, Sight and Sound, BFI, Summer, 1970.

“On Malcolm Le Grice”, Gordon Gow, Films and Filming, February, 1971.

“The Films of Malcolm Le Grice”, John Ducane, Time Out, 25th Feb, 1972.

"Malcolm Le Grice" (British Independents), Jim Pines, Time Out, 6th July, 1972.

David Curtis, Experimental Cinema, Studio Vista, 1972.

"Malcolm Le Grice", David Curtis, Cinema Rising, n.1, 1972.

Art & Artists (Special film issue), 1972.

"Movie Journal" (On Malcolm Le Grice), Jonas Mekas, Village Voice, 11th Oct, 1973.

Peter Gidal (ed), Structural Film Anthology, bfi, 1976.

“Time again for the London Film Festival’s Jamboree”, Tony Rayns, Time Out, 28th Oct, 1977.

“After Manet" , Deke Dusinberre, Perspectives on British Avant-Garde, Hayward Gallery, Arts Council of Great Britain, 1977.

"Films by Malcolm Le Grice", Deke Dusinberre, A Perspective on English Avant-Garde Film, Arts Council of Great Britain, British Council, 1978.

“Emily - Third Person Speculation”, Paul Taylor, Time Out, 6th July, 1979.

"Finnegan's Chin", A.L.Rees, Finnegan's Chin leaflet, BFI, 1979.

"Film Meant a Change of Direction", Martin Seal, The Guardian, , 4th Oct, 1979.

Film as film: formal experiment in film, 1910-1975 , Hayward Gallery, Arts Council of Great Britain, 1979.

“Finnegan's Chin”, Time Out, 23rd Oct, 1981.

“Finnegan's Chin”, Chris Auty, City Limits, 23rd Oct, 1981.

"Finnegan's Chin", Simon Field, Monthly Film Bulletin, BFI, December, 1981.

"Peter Gidal on 'Finnegan's Chin'", Undercut, London Filmmakers Co-op, n.5, 1982.

“The Cinema We Need? Some Notes on Finnegans Chin”, Mick Hartney, Undercut, London Filmmakers Co-op, n.5, 1982.

“The Films of Malcolm LeGrice”, City Limits, 18th May, 1984.

“Gowing, Gowing, Done”, Kevin Gough-Yates, Art Monthly, June, 1984.

“Emily - Third Person Speculation”, Michael O'Pray, The Elusive Sign , Arts Council of Great Britain, British Council, 1988, ISBN 0 86355 062 2.

"Malcolm Le Grice", Rod Stoneman, A Directory of British Film & Video Artists, The Arts Council of England, University of Luton Press, 1996, ISBN: 1-86020 003 6.

“Filmaktion”, Greg Kurcewicz, Filmwaves, n.12, 2000.
“An Overview of Shoot Shoot, Shoot”, George Clark, Senses Of Cinema (Brisbane Film Festival), http://www.sensesofcinema.com/contents/02/21/shoot_shoot_shoot.html, 2002.

writing by the artist

"Outline for a Theory of the Development of Television", Malcolm Le Grice, Cinemantics, n.1, 1970.

"Computer Films", Malcolm Le Grice, Time Out, 31st Dec, 1971.

"Thoughts on Recent Underground Film", Malcolm Le Grice, Afterimage, n.4, UK, 1972, pp.78-95.

"Real time/space”, Malcolm Le Grice, Art and Artists, December, 1972, pp.39-43.

"Computer Film as Film Art", Malcolm Le Grice, Computer Animation ed. John Hallas, Focal Press, 1974, ISBN 0 240 50750 9, pp.161-8.

"Post-script" (to UK edition), Malcolm Le Grice, Independent Film Making (Lenny Lipton), Studio Vista, 1974.

"Presenting Avant-garde Film in London", Malcolm Le Grice, Film Video Extra, Greater London Arts Association, n.3, 1974.

Birgit Hein, Film im Underground, Ulstein, Germany, 1975, ISBN 3 548 02817 9, pp.176-82.

"Kurt Kren", Malcolm Le Grice, Studio International, Nov-Dec, 1975.

"Malcolm Le Grice", Malcolm Le Grice, Arte Inglese Oggi, British Council, Milan, 1976.

Malcolm Le Grice, Abstract Film and Beyond, Studio Vista, 1977, ISBN 0-289 70591 6; MIT, 1977 ISBN 0 262 12077 1. Second edition MIT 1981 ISBN 0262.

"European Perspective 2", Malcolm Le Grice, Perspespectives on British Avant Garde Film, Hayward Gallery, Arts Council of Great Britain, 1977.

"Material, Material, Materialism", Malcolm Le Grice, Canyon Cinema News , Canyon Cinema, n.78-82, 1978, pp.15-18.

"Kurt Kren" "On the Flicker by Tony Conrad", Malcolm Le Grice, Structural Film Anthology (ed. Gidal), BFI, 1978.

"Stan Brakhage and Malcolm Le Grice Debate", Cinema News, Canyon Cinema, 78, 3/4, 1978, pp 3-4; 18-26.

"Letters", Peter Gidal, Malcolm Le Grice, Millennium Film Journal, Vol 1, n.2, 1978, pp.50-7.

"The History We Need", Malcolm Le Grice, Film as Film, Hayward Gallery, Arts Council of Great Britain, 1979.

"Some Introductory Thoughts on Gidal's Films and Theory", Malcolm Le Grice, File no 1 Peter Gidal, BFI, 1979.

"Towards Temporal Economy", Malcolm Le Grice, Screen, Vol. 20 3/4, 1980, pp.58-75.

"Problematizing the Spectator Placement in Film", Malcolm Le Grice, Undercut, London Filmmakers Co-op, n.1, 1981.

"Cinemology", Malcolm Le Grice, Undercut, n.5, 1982, pp.27-9.

"Some Introductory Thoughts on Gidal's Films and Theory" (reprint), Malcolm Le Grice, Millennium Film Journal, Fall, USA, 1983, ISSN 1064-5586, pp.19-30.

"Problematizing the Spectator Placement in Film" (reprint), Malcolm Le Grice, Cinema and Language, American Film Institute Monograph Series, vol.1, 1983, ISBN 0-89093-583-1, pp.50-62.

"Narrative Illusion vs Structural Realism", Malcolm Le Grice, Millennium Film Journal, n.16/17/18, USA, 1986, pp.309-27

"The Implication of Digital Systems for Cinema Theory", Malcolm Le Grice, Interfaces - Image - Texte - Language, PRISM, 1990, ISSN 1164-6225.

"The Place of Theory in Practical Art and Design", Malcolm Le Grice, MATRIX 2, DALI London Institute, 1994.

"Kismet Protagony and the Zap Splat Syndrome", Malcolm Le Grice, Millennium Film Journal, USA, 1995, ISSN 1064-5586.

"Colour Abstraction - Painting - Film - Video - Digital Media", Malcolm Le Grice, La poesie de la couleur, Louvre,, France, 1995, ISBN 2-9096 1804-8.

"The History We Need" (reprint), Malcolm Le Grice, The British Avant-Garde Film 1926 to 1995, John Libbey Media, Luton, 1996, ISBN: 1860200044.

"The Chronos Project", Malcolm Le Grice, Vertigo, n.5, 1996, ISSN 0968-7904.

"Mapping in Multi Space - Vom Expanded Cinema zur Virtualitat", Malcolm Le Grice, White Cube/Black Box, E.A. Generali, Vienna, 1996, ISBN 3 901107 14-2, pp.261-80.

"Coincidences and Calimaris Con-tinto (for DC)", Malcolm Le Grice, Viva 8 Festival catalogue, London Filmmakers Co-op, 1996.

"Algunos conceptos teoricos para un cine interactive", Malcolm Le Grice, Arte en la era electronica, L'Angelot and Goethe Institute, Barcelona, 1997, ISBN 84-92265-1-X, pp 46-52.

"Ein Non-Linear Tradition - Experimentalfilm und Digitales Kino", Malcolm Le Grice, Katalog 43, Internationale Kurzfilmtage Oberhausen, 1997, ISBN 3-87468-137-8.

“Takahiko Iimura - Getting the Measure of Time”, Malcolm Le Grice, Takahiko Iimura, Lux Cinema, September, 1998.

“Kunst im Reich der Hydra-Medien”, Malcolm Le Grice, Film & Computer - digital media visions, Deutsches Filmmusaeum, Frankfurt, 1998, ISBN 3-88799-057-9.

“Digital Cinema and Experimental Film - continuities and discontinuities”, Malcolm Le Grice, Bild - Medium - Kunst (ed. Yvonne Spielman, Gundolf Winter), Wilhelm Fink Verlag, 1999, ISBN 3-7705-3434-4, pp.207-18.

Malcolm Le Grice, Experimental Cinema in the Digital Age, BFI, 2001, ISBN: 0-85170-873-0.

"Improvising from Where to When", Malcolm Le Grice, Filmwaves, n.14, 2001.

"On Snow", Malcolm Le Grice, Almost Cover to Cover, Arnolfini, Bristol, UK, 2001.
“The State of the Art - Research in the Practical Arts-Doctorates-Autonomous Methodologies", Malcolm Le Grice, Stuart Evans, Criticism, legitimacy, transgression, ELIA Journal, Intellect, Vol III, n2/3, Bristol, UK, 2001, 1464-6986.

"Tautological Oxymoron", Malcolm Le Grice, New Screen Media (ed. Zapp Rieser), BFI, 2002.

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