Isaac Julien
"How
to Have Promiscuity in an Epidemic", Crimp, D, October, , 43, Winter, 1987, pp 268-271.
"Aesthetic
and Politics: Working on Two Fronts?", Martina Attille, Peter
Gidal, Isaac Julian, Mandy Merck, Undercut, London
Filmmakers' Co-op, issue 17, Spring, 1988.
"Isaac
Julien: Filmmaker" (interview), Ruby B. Rich, OUT-LOOK:
National Lesbian & Gay Quarterly, vol 1 no 3, Fall, 1988.
"England,
Bloody England" (interview), Ruby B. Rich, Village
Voice, v 33 n 26, June 28th,
1988,.
"The
Passion of Remembrance: An Interview with Isaac Julien", L.
Jackson and J. Rasenberger, Cineaste, v16 n 4, 1988.
Coco
Fusco, Black, and British: A Monograph on the Work of
Sankofa Film and Video Collective and Black, Audio Film Collective , Hallwalls,
Buffalo, N,Y, 1988.
"True
Confessions: A Discourse on Images of Black Male Sexuality", Julien,
L, and K Mercer, Male order: Unwrapping Masculinity, Lawrence
& Wishart, 1988, pp 97-164.
"De
Margin and De Centre", Julien, L, and K Mercer, Screen, vol. 29, no. 4, Autumn, 1988.
"Sexuality
and Vision: Some Questions", Rose, J. Vision and
Visuality, Dia Arts Foundation,
Seattle Bay Press, New York: 1988, pp 115-127.
"Racing
Plead", White, A, Film Comment,, no. 24 July/August, 1988, p 2.
"Young
British and Black" (a monograph on the work of Sankofa Film/Video
Collective and Black Audio Collective), Coco Fusco, Discourses,
Conversations in Postmodern Art and culture, The
New Museum of Contemporary Art NYC, 1988.
"This
is Not an AIDS Ad…" (video by Isaac Julien),
Houghton, Nik, Independent
Media, Issue 77, May, UK, 1988, p 11.
"Black
Independents and Third World Cinema: The British Context", Reece Auguiste
with Black Audio Film Collective, Questions of Third Cinema, BFI
Publishing / Indiana University Press, 1989.
Looking
for Langston' review, Pier Wilkie,
Independent
Media, issue
89, May, UK, 1989, p
12-13.
"BIack.
British Cinema and Identity Formation in Territories", Manthia
Diawara, Public Culture, vol.
3, no, 1, Fall, 1990.
"Isaac
Julien: Looking for Langston", Fisher, T, Third
Text , No 12, Fall, UK, 1990, p 59.
"Sankofa
& Black Audio Film Collective", Coco Fusco, Discourses.
Conversations in Postmodern Art and Culture, MIT
Press, New Museum of Contemporary Art, 1990, pp
17-42.
"Look
Back and Talk Black: The Films of Isaac Julien", Arroyo,
I, Jump Cut, issue 36, 1991, p 98.
"The
Absent One: The Avant-Garde and the Black Imaginary in Looking for
Langston", Manthia Diawara, Wide Angle, vol.
13, nos. 3 & 4, July, 1991, p 96.
"The
Filmmakers' Panel", Isaac Julien, Screening
Europe. Image and Identity in Contemporary European Cinema, BF1
Publishing, 1991.
Isaac Julien and Colin MacCabe (eds.), Diary
of a Young Soul Rebel, BF1 Publishing, 1991.
"Soul
to Soul", Taubin, A, Sight and Sound, vol.
1, n.4, BFI,
1991, p 14.
"States
of Desire" (interview with Isaac Julien),
Bell Hooks, Transition, , n. 53 v. 1 n. 3, , 1991.
"Dark
and Lovely", Kobena Mercer,
Ten Photo
Paperback, vol 2 no 1, 1991, pp 78-86.
"Thumping
Pleasure" ('Young Soul Rebels'), Adrian Searle, Artscribe, Issue
89 Nov/Dec, 1991.
"Letter
to a Soul Rebel", H Als, Village
Voice, 7th January, USA, 1992, p 62.
"Isaac
Julien: Britain"s Leading Independent Filmmaker", Belton,
D, Outlook, vol 16, Spring, 1992, p 15.
"Displaced
Desires", Best, S, Black Film Review, vol
7, no 2, 1992, p 8.
Felix
De Rooy, Isaac Julien, Claire Denis, Chantal Akerman, John Akomfrah, Screening
Europe: Image and Identity in Contemporary European Cinema , BFI
Publishing, 1992.
"Black
Is, Black Ain"t, Notes on De-Essentializing Black Identities", Isaac
Julien, Black Popular Culture , Bay
Press, Seattle, 1992, pp 255-263.
"Who
Is Speaking?: Of Nation, Community and First-Person Interview", Isaac
Julien and Laura Mulvey, Framer Framed. Film Scripts
and Interviews , Routledge, 1992.
"Young
Soul Rebels", James Saynor,
Interview
Magazine, January, 1992, p 24.
"Queer
Questions", Isaac Julien,
Sight &
Sound, September, BFI, 1992.
"The
Black Man's Burden", Gates, H L,
Fear of a
Queer Planet , University of Minnesota
Press,.1993, pp 230-238.
"Climbing
the Racial Mountain. A Conversation with Isaac Julien", Paul
Gilroy, Small Acts Thoughts on the Politics of Black
Cultures, Serpent's Tail, 1993, pp
166-172.
"I,
Abject", Craig Hauserl, Abject Art. Repulsion and
Desire in American Art, Whitney Museum of American
Art, 1993, pp 85-99.
"Performing
Sexualities: An Interview", P. Harwood and D. Oswell (eds), Pleasure
Principle, Politics, Sexuality and Ethics,
Lawrence
and Wishart, 1993.
"Confessions
of a Snow Queen: Notes on the Making of The Attendant", Isaac Julien, Cineaction!, vol
32, Fall, 1993, p 5.
"Look
Back and Talk Black.. The Films of Isaac Julien", Jose
Arroyo, Jump Cut, issue 36, 1993, pp
88-97.
"Critical
Reflections" (interview), Isaac Julien and Bell Hooks, Artforum, vol
33, no 3, 1994.
"Queering
the Pitch: A Conversation, Isaac Julien and Jon Savage, Critically
Queer, Critical Quarterly, vol 36, no. 1, Spring, 1994, pp
1-12.
"Confessions
of a Snow Queen: notes on the making of The Attendant", Isaac
Julien, Critically Queer, Critical Quarterly, vol
36, no. 1, Spring, 1994.
Isaac
Julien and Jon Savage (eds), Critically Queer, Critical
Quarterly, vol 36, no. 1, Spring, 1994.
"Long
Live the Queen" (on Marlon Riggs), Isaac Julien, Village
Voice, , vol 39, 26th April, 1994.
"Looking
for Langston" (still reproduction), Isaac Julien, Art
& Design, 9th September,
1994.
Kobena
Mercer, Welcome to the jungle: New Positions in Black
Cultural Sludies , Routledge, 1994.
"Disseminating
Heterotopia", Reid-Pharr, R. F, African
American Review, vol 28, no 3, Fall, 1994, p 317.
"True
Confessions", Kobena Mercer and Isaac Julien, Black
Male: Representations of Masculinity in Contemporary American Art , Whitney
Museum of American Art, 1994, pp 91-200.
"Batty
Boys in Babylon", Jorg Heiser,
Spex, Germany, 1994, pp 49-51.
"Examining
Gay Issues in Racial Settings", Holden, S, New
York Times, 6th January,
1995.
"Burning
Rubber"s Perfume", Isaac Julien,
Remote
Control, British Film Institute, 1995, pp
55-62.
"Busy
in the Ruins of a Wretched Phantasia", Kobena Mercer, Mirage.
Enigmas of Race, Difference and Desire, exhibition catalogue, inIVA, 1995, pp
15-55.
"Isaac
Julien Interview", Bruce Morrow,
Callaloo, vol.
18, no. 2, 1995, pp 406-415,
"Double
Dare", Nolan, A. M, Village Voice, 10th January, 1995, , p 50,
"Black
Nationhood and the Rest in the West" (interview), Roy
Grundmann, Cineaste, vol XXI nos 1-2, 1995, pp
28-31.
"Where
We Live", Essex Hemphill and Isaac Julien, Speak My Name: Black Men on
Masculinity and the American Dream, Beacon Press, 1995.
"Isaac Julien", Jonathon Romney, A
Directory of British Film and Video Artists , The
Arts Council of England, University of Luton Press, 1996, 1-86020
003 6, pp 86-87.
"De
Margin and De Center" (interview), Kobena Mercer, Black
British Cultural Studies: A Reader , University of Chicago Press, 1996.
"Popular Music, Pedagogy and Cultural
Politics in the Films of Isaac Julien", Warren Crichlow, Discourse, vol. 16, no. 3,
1996.
"The Big Screen", Catherine Elwes,
Art Monthly, no. 199, 1996, pp 11-16.
"Hotter than July", Charles Gaines,
Art and Text, no. 55, 1996, p 84.
"Thinking through Class: Paying Attention
to The Attendant", Bell
Hooks, Reel to Real: Race, Sex and
Class at the Movies , Routledge, 1996, pp 91-97.
"Black British Cinema:Diaspora Cinema", Isaac Julien, New Histories, exhibition catalogue,
Institute of Contemporary Art, Boston, 1996, pp 60-64.
"Filmmakers" Dialogue, Alan Read, The Fact of Blackness.. Frantz Fanon and Visual Representation , Bay Press, Seattle,
1996, pp. 166-179.
"The Ceremonial Image", Kaja Silverman,
The Threshold of the Visible World , Routledge, 1996, pp
104-121.
"Serving Art and Revolution", Van Gelder, L, New York Times, 9th October,
1996.
"Visualizing Theory: An Interview with
Isaac Julien", Coco Fusco,
NKA: journal of Contemporary African Art , , vol. 6/7 (summer/fall),, 1996, , pp 54-57,
"Frantz Fanon: Black Skin, White Mask", O Stanton, Sight and Sound vol. 7 (September), BFI, 1996, , p 42,
"Black British Cinema and Identity
Formation in Territories", Manthia
Diawara, Black British Cultural
Studies, 1996, pp 293-306,
"Johannesburg Biennale", Eddie
Chambers, Art Monthly, issue
212, UK,
1996, pp 14-18.
"The Look of Love: John Hansard Gallery,
Southampton", Izi
Glover, Frieze, vol. 36, UK, 1997, pp 101-102.
"Permutations of the Fanonian Gaze: Isaac
Julien"s Black Skin, While Mask", Robert Stam, Black
Renaissance/Renaissance Noire, vol. 1, no. 2, Summer/Fall, 1997, pp 186-192.
Isaac Julien, Program Catalogue, MOMA
Chicago, Spring, 1997.
"Mirage",
Richard Cork, The Times, 27th June, UK, 1997.
(inverview), Die Beute, Edition id-Archive, Summer, 1997, pp
62-66.
AIDS WORLDS Between Resignation and Hope,
exhibition catalogue, Centre
d'Art Contemporain; Bellinzona, Switzerland, 1998, pp 142-147.
"Heavenly Bodies in Motion: Isaac Julien's
Queer Trilogy", Michael
Corris, Art Text, no. 63, 1998, pp 54-59.
"Moving Company: The Second Johannesburg
Biennale", Manthia
Diawara, Artforum, vol 7, March, 1998, pp 87-89.
Roselee Goldberg,
Performance.. Live Art since the 60's , Thames and Hudson,
1998, p. 143.
"Only Angels Have Wings", Isaac Julien, Tracey Moffat: Free:Falling, Dia Center for the Arts, 1998, pp 9-21.
Richard J Powell,
Black Art and Culture in the Twentieth Century, Thames and Hudson,
1998, pp 212-213.
"Two into the Making of Three", Christy Adair and Ramsey Burt, Dance Theatre Journal, vol 15, no 2, 1999, p 20.
"Isaac Julien: Exhibition", Catherine Elwes,
Art Monthly ,227, June, UK, 1999.
"In Two Worlds: An Interview with Isaac
Julien", Julien, L, Sight and Sound, July, BFI, 1999.
"Interview", Isaac Julien, Struggles for Representation, Indiana University Press, 1999, pp 36-37.
AL
Rees, A History of Experimental Film and Video, BFI, 1999, 0851706819,
pp 106,107.
"Isaac Julien, The Long Road to
Mazatlan", David
Frankel, Art Pace, 1999.
"Face to Interface: Isaac Julien", Sight and Sound, September, BFI, 1999.
Doy G, Black Visual Culture. Modernity and Postmodernity, I.B. Tauris, 1999.
"Towards a Critical Cinema: The Films of
Isaac Julien", Okwui
Enwezor, Isaac Julien, exhibition
brochure , Grand
Arts, Kansas City, Missouri, 1999.
"Lonesome Cowboys: Isaac julien Disrupts
the Western Canon with Gay‑themed Film at Grand Arts", Alice Thorson, Kansas City Star, 19th March, 1999.
"A World of Double Outsiders: Gay as Well
as Black", Lisa
Katzman, New York Times, 26th November, 2000.
"Eros Cruises the Museum In a Filmmaker's
Dreams", Holland Cotter, New York Times,
24th November, 2000.
"Noises at an Exhibition", John L Walters,
Guardian, 29th September, UK, 2000.
"Once upon a Time in the West", Judith Palmer, The Independent, 19th September,
UK, 2000.
"Winsome Cowboys", Adrian Searle, Guardian, 22nd August,
UK, 2000.
"Dancing with Dudes", Susan Corrigan,
The Times, Metro,
12th
August, UK, 2000.
"Reel Stories: lsaac Julien", Erika Muhammad,
Index, June, 2000.
"At Play in the Fields of the American
West", Heather Lustfeldt, Review, April, 2000.
"Vagabondia: Archiving the Archive", Vasanthi Dass, Unpacking Europe: Towards a
Critical Reading, 2001, pp
350-355.
"Isaac Julien, The Great Divide", Dick Hebdige, Territories, Prince Claus Fund Journal,
no 7, 2001, p 20-21.
"lsaac Julien at the Studio Museum in Harlem", Lilly Wei, Art in America,
May, 2001, p 68.