David Hall
Primary
Structures, Jewish Museum, New
York, 1966.
“British
Sculpture: The Developing Scene”, Gene Baro, Studio
International, October, London, 1966.
“Halls
of Perception”, Eddie Wolfram,
Art and
Artists, January, London, 1968.
“David
Hall interviewed”, Evan Thomas,
Art and
Artists, March, London, 1971.
“David
Hall - The Sculptor as Filmmaker”, Paul Overy, The
Times, May-14, London, 1974.
Edward
Lucie-Smith, Movements in Art Since 1945, Thames
and Hudson, 1975.
The
Video Show catalogue, Serpentine Gallery, Arts Council
of Great Britain, May, 1975.
“The
Video Show”, David Hall, Art and Artists, May, 1975.
“Video
Report” (regular column throughout 1970s), David Hall, Studio
International, 1975.
“British
Video Art: Towards an Autonomous Practice”, David Hall, Studio
International, May-June, 1976.
“Here's
Looking at Yourself”, Richard Cork,
Evening
Standard, Jun-03, 1976.
"introduction", David
Hall, Film en Video Manifestatie, Bonnefantenmuseum, Maastricht, 1977.
Perspectives
on British Avant-Garde Film, Hayward Gallery, Arts Council
of Great Britain, 1977.
"Introduction", David
Hall, Artists Video exhibition, Biddick
Farm Arts Centre, Washington UK,
1977.
Documenta
6 exhibition cat, Paul Dierichs KG and Co, Kassel,
Germany, 1977.
"Introduction", David
Hall, Video Art 78,
Art Gallery
and Museum, Coventry, 1978.
A
Perspective on English Avant-Garde Film,
Arts
Council of Great Britain, British Council, 1978, 0 900229
54 3
London
Video Arts catalogue, London Video Arts, 1978.
“Using
Video and Video Art”, David Hall,
Aspects
magazine, Winter, 1978.
Videotapes
by British Artists exhibition catalogue,
The Kitchen, New York, 1979.
“Video
in Europe”, David Hall, International Video Symposium
paper, Queens University, Ontario, 1979.
Video
79: The First Decade, Kane, Rome, 1979.
Video
Art: A History, documentation exhibition,
Museum
of Modern Art, New York, 1983.
Kunst
und Video, DuMont Buchverlag, Cologne, 1983.
“The
Early Chronology of Video Art (1959-1976)”, Mick Hartney, London
Video Arts cat, 1984.
“Video
Installations in Britain”, Tamara Krikorian, London
Video Arts cat, 1984.
“Artists' Television”, Tamara
Krikorian, Art Monthly, February, 1984.
“Video
Art Education: 20 Years On”, David Hall, Luminous Image catalogue, Stediljk Museum, Amsterdam, 1984.
“Deconstruction”, Mark Wilcox, Subverting Television programme, Arts Council of Great Britain, 1985.
Michael
O'Pray, British Film and Video; The New Pluralism, Tate
Gallery, 1985.
Channel
6 exhibition catalogue, London Video Arts, 1986.
"TV
Fighter (Cam era plane)", Tamara Krikorian, The Elusive Sign, Arts Council of Great Britain
and British Council, 1988.
“Shows,
Schisms and Modernisms”, Michael O'Pray, Monthly Film Bulletin, BFI, February, 1988.
"TV
Fighter (Cam era plane)", Michael O'Pray, Monthly Film Bulletin, BFI, February, 1988.
Video
Positive '89 catalogue, Merseyside Moviola, Liverpool, 1989.
Video-Skulptur,
Retrospectiv und Aktuell 1963-1989, DuMont, Cologne, 1989.
19:4:90
Television Interventions, Fields and Frames, Scotland, 1990.
“Structures,
Paraphernalia and Television”, David Hall, Signs of the Times, Museum of Modern Art, Oxford, 1990.
“Television
as a Creative Medium”, Syn Guerin,
Video
Art Plastique, Herouville-St Clair, Caen,
France, 1991.
"David
Hall", David Hall, Video Art Plastique, Herouville-St
Clair, Caen, France, 1991.
“Before
the Concrete Sets”, David Hall,
And magazine, n.26, 1991.
“Before
the Concrete Sets”, David Hall,
LVA catalogue, London Video Arts, 1991.
"David
Hall", Michael O'Pray, Variant magazine, n.11, 1992.
“David Hall interview”, Alan
McCluskey, Scope magazine,
n.11, Geneva, 1992.
“Le
temps, l'espace des signes” , Anne-Marie Duguet, Signes
des Temps, Centre d'Art Contemporain, Noisiel,
Paris, 1993.
Sean
Cubitt, Videography: Video Media as Art and Culture, MacMillan, 1993.
John
A Walker, Arts TV: A History of Arts Television in Britain, Arts
Council of England/John Libbey, 1993.
"David
Hall", Michael O'Pray, A Directory of British Film
and Video Artists, Arts Council of England/John
Libbey, 1996, 1-86020 003 6.
“InT/Ventions”, Mick
Hartney, Diverse Practices: A Critical Reader on British Video
Art, Arts Council of England/John
Libbey, 1996, 1 86020 500 3.
"Early
Video Art: A Look at a Controversial History", David
Hall, Diverse Practices: A Critical Reader on British Video
Art, Arts Council of England /
John Libbey, 1996, 1 86020 500 3.
A.L.
Rees, A History of Experimental Film and Video, from the
canonical avant-garde to contemporary British Practice, BFI, 1999, 0851706819, pp. 87, 89-90, 104, 108-9.
“David
Hall interview”, Stephen Partridge, Transcript, University
of Dundee/Morris Julien, vol 3 n.3, 1999.
“Film
Video TV”, Nicky Hamlyn, Coil, issue
9/10, 2000.
“A
Situation Revisited - David Hall: A Situation Envisaged: The Rite II (Cultural
Eclipse)”, Chrissie Iles, Factor 1989, Foundation
for Art and Creative Technology, Liverpool, 2001.
Françoise
Parfait, Video: un art contemporain, Editions
du Regard, Paris, 2001.
Michael
Maziere, Nina Danino (eds), The Undercut Reader, Critical
Writings on Artists’ Film and Video, Wallflower Press, London, 2002, 1-903364-47-7.
Nicky Hamlyn, Film Art Phenomena, BFI, 2003, 0851709729.