Peter
Greenaway
writing
about the artist
"The
Falls", Chris Auty, Time Out, December, UK, 1980.
(early films), Tony Rayns, Time Out, December, UK, 1980.
"Production
Board Film maker: Peter Greenaway", BFI News, January, 1981.
"Marienbad
revisited: The Draughtman's Contract", Jill Forbes, Sight
and Sound, Autumn, BFI, 1982.
"Peter
Greenaway, his rise and Falls", Harlan Kennedy, Film
Comment, January - February,
1982.
"Gardens
of Speculation: Landscape in the Draughtsman’s Contract", Simon
Watney, Undercut n.7/8, London Filmmakers Co-op, 1983.
"The
Director's Contract: Peter Greenaway and the Riddle of History", Catherine
N. Parke, Eighteenth Century Life, issue 11, May, 1987.
"The
Belly of an Architect", Jill Forbes,
Monthly
Film Bulletin, issue
645, BFI, 1987.
"Peter
Greenaway", Daniel Caux, Michel Field, Florence de
Meredieu, Philippe Pilard, Peter Greenaway, Dis-Voir, France, 1987, 2-906571-00-8.
"Peter
Greenaway" ('Drowning By Numbers'), Paola Moretti , Contemporanea, no 4 November, 1988.
"Dante
By Numbers - Bill Pannifer talks to Peter Greeenaway and Tom Philips", Bill
Pannifer, Invision, December, UK, 1989.
"Obsession
of a Black Humorist", Brian Appleyard, The Times, September, UK, 1989.
Hélène
Cixous, Daniel Dobbels, Bérenice Reynaud, Karine Saporta. Peter
Greenaway: roman photo, Armand Colin Paris, 1990, 2-200-37206-X.
Tom
Phillips, A TV Dante' directed by Tom Phillips, Peter
Greenaway: Notes and commentaries by Tom Phillips, Channel
Four Television, 1990.
"The
Cook, The Thief, His Wife And Her Lover",
William F. Van
Wert, Film Quarterly,
USA, 1990, pp42-50
"Order
vs. Chaos: The Films of Peter Greenaway",
Marcia Pally, Order
vs. Chaos: The Films of Peter Greenaway, 18(3), 1991.
Jonathan
Hacker, David Price, Peter Greenaway, Take Ten: Contemporary
British Film Directors, pp189-227.
"Drowning
Books by Numbers", Simon Garfield,
Independent
On Sunday, UK, May-91.
"A
Tale of Two Magicians", Adam Barker,
Sight &
Sound, BFI, 1991.
"Prospero’s
Books", Jonathan Romney, Sight & Sound, BFI, 1991.
"This
Time, There’s Magic in his Method", Independent Media, August, UK, 1991.
"The
Incorporation of Word as Image in Prospero's Books", Lia
M. Hotchkiss, Post Script, 17.2, 1992, pp8-23.
"Artificial
Eye/Artificial You: Getting Greenaway or Mything the Point?", Bridget
Elliott, Anthony Purdy, Literature and the Body, 1992, pp179-211.
"Dominating Greenaway", Carel Rowe, The Last Sex. Feminism
and the outlaw bodies,
St Martin's Press, New York, 1993, pp220-240.
"A
Zed and Two Noughts", Thomas E. Benediktsson, Janet K. Cutler, Film
Quarterly, 47(2, Winter), 1993, pp36-42.
"The
Greenaway Case: Un Anglais pour cinephiles",
Philippe
Pilard, Franco-British Studies, 15, Spring, 1993, pp10-17.
"A
Shock to the System", John Walsh,
Independent
Magazine, 1993.
"Deceiving
is Believing" (Peter Greenaway defends 'The Baby of Macon'), Peter Greenaway, Guardian, September, UK, 1993.
"Illusions
of Grandeur", Neil Norman,
Evening
Standard, September, UK, 1993.
"M
is For Man, Music, Mozart", Michael O'Pray,
Arrows of
Desire, ICA, UK, 1993.
Laura Denham, The Films of
Peter Greenaway, Minerva Press, London, 1993, 1-85863-011-8.
Christiane Barchfeld, Filming by Numbers: Peter Greenaway, Gunter Narr, Tübingen, 3-8233-4282-7.
"Allegories
of Thatcherism: The Films of Peter Greenaway", Michael
Walsh, Fires were started. British Cinema and Thatcherism, University
of Minnesota Press, 1993, pp255-277.
"Dante
in the Video Decade", Nancy J. Vickers, Current
trends in Dante studies, University of Notre Dame
Press, 1995, pp.263-276.
"Greenaway
- Gaultier. Old Masters, Fashion Slaves",
Nita Rollins, Cinema
Journal, issue 1, 1995, pp65-80.
"'The
Cook, The Thief, His Wife and Her Lover': Making Sense of Postmodernism", Nicholas
O. Pagan, South Atlantic Review, January, 1995, pp
43-55.
Detlef
Kremer, Peter Greenaways Filme. Vom Überleben der Bilder
und Bücher, Metzler, Stuttgart und
Weimar, 1995, 3-476-01345-6.
"Peter
Greenaway", Giovanni Bogani, Editrice
Il Castoro, Milano, Roma, 1995, 88-8033-036-5.
Domenico
De Gaetano , Universale Cinema: Il cinema di Peter Greenaway, Lindau,
Torino, vol 9, 1995, 88-7180-112-1.
Jorge
Gorostiza, Colección Signo e Imagen/Cineasta: Peter Greenaway, Cátedra,
Madrid, vol. 24, 1995, 84-376-1362-0.
Carla
Scura (ed.), Script/Leuto: Peter Greenaway, Dino
Audino Editore, Roma, vol. 26, 1995.
'Dramatizing
the Failure to Jump the Culture/Nature Gap: The Films of Peter Greenaway', Vernon
Gras, New Literary History, Winter, 1995, pp123-143.
(Peter Greenaway), Jonathon Romney, A Directory of British Film
& Video Artists, The Arts Council of
England, University of Luton Press, 1996, 1-86020
003 6, pp70-71.
"The Magician, the Surgeon, their Art and its Politics", Bridget
Elliott, Anthony Purdy, Art and Film, 11.7/8, 1996, pp16-23.
Thomas
Elsaesser, Spellbound catalogue, Hayward Gallery, London, 1996, , pp77-83
Michael
O’Pray (ed.), The British avant-garde film 1926 to 1995: an
anthology of writings, John Libbey Media, Luton, 1996, 1860200044, pp3,
239.
"Body
Talk" ('The Pillow Book'), Peter Greenaway, Sight
and Sound, BFI, 1996.
"I
Couldn’t Put it Down" ('The Pillow Book'),
Peter
Greenaway, The Guardian, November, UK, 1996.
Carsten
Thau, Anders Troelsen, Filmen Som Verdensteater -
omkring Peter Greenaway, Aarhus, NSU Danish Forlaget, 1996, 87-7724-540-7.
Jean
Lüdeke, Die Schönheit des Schrecklichen. Peter Greenaway
und seine Filme, Bastei Lübbe, Bergisch
Gladbach, 1996, 3-404-61344-9.
Alan
Woods, Being Naked Playing Dead, Manchester
University Press, 1996, 0-7190-4772-2.
Bridget
Elliott, Anthony Purdy, Peter Greenaway.
Architecture and Allegory, Academy Editions,
Chichester, 1997, 0-471-97691-1.
David
Pascoe , Peter Greenaway. Museums and Moving Images, Reaktion
Books, London, 1997, 1-86189-005-2.
Amy
Lawrence, The Films of Peter Greenaway, Cambridge
University Press, 1997, 0-521-47363-2.
Roland
Weidle, Manierismus und Manierismen: William Shakespeares
The Tempest und Peter Greenaways Prosperos Books, Coppi-Verlag,
Alfeld an der Leine, 1997, 3-930258-53-6.
"The
Pillow Book. La volupté des signes", Michel Ciment, Positif, 431, France, 1997, pp76-79.
"Shakespeare
in the Age of Post-Mechanical Reproduction. Sexual and electronic magic in
Prospero's Books", Linda E. Bosse, Richard Burt, Shakespeare,
the movie. Popularizing the plays on film, TV, and video, Routledge, 1997.
"Fleshing
the Text: The Pillow Book and the Erasure of the Body", Paula
Willoquet-Maricondi, Postmodern Culture: An
Electronic Journal of Interdisciplinary Criticism , January, 1999.
John
Wyver, Andrew Patrizio, Michael O'Pray, Paul Melia, David Pascoe, Cornerhouse
Communique: The Framer Framed. A Greenaway Symposium, Cornerhouse,
Manchester, no 8, 1999, 0-948797-58-4.
A.
L. Rees, A History of Experimental Film and Video, British
Film Institute, 1999, 851706819, pp4-5,98-103, 143.
Vernon
W. Gras, Marguerite Gras (ed.) , Conversation with
filmmakers: Peter Greenaway. Interviews,
University
Press of Mississippi, Jackson, 2000, 1-57806-255-1.
Alessandra
Curti, Universale Film: Peter Greenaway. I Misteri Del
Giardino Di Compton House, Lindau, Torino, vol
19, 2000, 88-7180-320-5.
Paula
Willoquet-Maricondi, Mary Alemany-Galway (ed.),
The
Scarecrow Filmmakers Series: Peter Greenaway's, Postmodern/Poststructuralist
Cinema, Scarecrow Press, Lanham, 2001, 0-8108-3892-3.
Lutz
Nitsche, Hitchcock - Greenaway - Tarantino. Paratextuelle.
Attraktionen des Autorenkinos, Metzler, Stuttgart, Weimar, 2002, 3-476-45299-9.
writing by the artist
"A Walk Through H", Peter
Greenaway, BFI Production Catalogue 1977/78, BFI,
1978.
"The Falls", Peter
Greenaway, BFI Production Catalogue 1979/80, BFI, 1981, pp46-49.
"The Obscene Animals Enclosure", Peter Greenaway, Time Out, December, UK, 1982, p17.
"Brothers Quay: Street of Crocodiles", Peter Greenaway, Sight and Sound, Summer, BFI, 1986.
"Fear of Drowning by Numbers", Peter Greenaway, Règles du Jeu, Dis Voir, Paris, 1988, 2-906571-07-5.
Peter Greenaway and Leon Steinmetz, The World of Peter Greenaway, Journey Editions, Boston and Tokyo, 1995, 1-885203-12-8.
Peter Greenaway, 100 Allegories
To Represent The World, Merrell
Holberton, London, 1998, 1-85894-060-5.
Peter Greenaway, Tina Rehn, Manfred Flügge, Mathias Meyer, Manfred
Haedler, Christopher Kolumbus. Darius
Milhaud , Staatsoper
Unter den Linden, Berlin ,1998.
Peter
Greenaway, Saskia Boddeke, Gold.
92 bars in a crashed car,
Schauspielhaus,
Frankfurt, 2001.
Peter
Greenaway, Domenico de Gaetano, Alessandro Amaducci, Francesco Cassi, Elmer
Leupen, Tulse Luper in Turin, VoluminA, Turin, 2002.