Tacita Dean

BT New Contemporaries, UK, 1992.

"BT New Contemporaries, Barclays Young Artist Award Exhibition", Andrea Phillips, Hybrid Magazine, issue 2 April/May, UK, 1993.

"Beards, Breasts and Bloody Bodies", Julia Thrift, Guardian, 22nd January, UK, 1993.

Barclays Young Artist Award, Serpentine Gallery, UK, 1993.

"Noneer with a Gender Agenda", Richard Cork, The Times, 15th November, UK, 1994.

"Coming up for Air", Simon Grant, Art Monthly, May, UK, 1994.

"Role Call", Sarah Kent, Time Out, 26th October, UK, 1994.

"Behind the Mask", Adrian Searle, Independent, 25th October, UK, 1994.

"Dominic; It's Real, but Very Fucked Up", Van den Boogerd, Metropolis M, issue 2, 1994.

Cahier No. 2, Witte de With Center for Contemporary Art, Rotterdam, 1994.

Mise en Scene, ICA, UK, 1994, 0 905263 59 6.

“Tacita Dean”, Chris Darke, Directory of British Film and Video Artists, Arts Council of England and University of Luton, 1995, 1 86020 003 6, p38.

"Tim Head/Tacita Dean", Libby Anson, Art Monthly, issue 188/July - August, UK, 1995, pp35-36.

"Zen and the Art of Film Making", Tacita Dean, Guardian, 15th October, UK, 1995.

"Uncanny Resemblances", Katy Deepwell, Women's Artjournal, issue 62/Jan-Feb, UK, 1995.

"Mise en Scene", lan Hunt, Frieze, January/February, UK, 1995.

"Mise en Scene", Jaki Irvine, ThirdText, issue 30/Spring, UK, 1995, pp101-106.

"Elefantendung und die Bruste der Agathe", Hajo Schiff, Inhalt March, Germany 1995, p88.

Mysterium Alitag, Kampnagel, Hamburg, 1995.

The British Art Show 4, South Bank Centre, UK, 1995.
"Clover", Tacita Dean, General Release, The British Council, UK, 1995.

Tacita Dean, CloverBook, Ecole Nationale des Beaux-Arts, Bourges, 1995.

Tacita Dean, Calerie 'La Box', Ecole Nationale des Beaux-Arts, Bourges, 1995.
"Out with a chop, whir and clunk" (review of 'Foley Artist'), Richard Cork, The Times, 3rd September, UK, 1996.

"The Time of Our Lives", Tacita Dean, Guardian, 6th January, UK, 1996.

"Review of Foley Artist", Melissa E Feternan, Art Monthly, October, UK, 1996, p53.

"Berwick Ramparts Project", Sarah Greenberg, Art Monthly, September, UK, 1996, pp43-45.

"Art Now: Tacita Dean/Focus on New Art", Sarah Greenberg, Tate, issue 10/Winter, UK, 1996.

"Tacita Dean: Tate Gallery, London", Jennifer Higgie, Frieze, November/December, UK, 1996, pp70-71

"Tacita Dean: Tate Gallery, London", Jonathan Jones, Untitled, issue 12/Winter, UK, 1996, p24.

"Sound Gallery Preview", Sarah Kent, Time Out, 26th August, UK, 1996.

"'Borsten van Sint Agatha', Het Parcool", Sven Lutticken, 2nd August, 1996.

"People say nothing happens in Berwick", Adrian Searle, Guardian, 23rd July, UK, 1996.

"Noises Off", Adrian Searle, Guardian, 27th August, UK, 1996.

"De borsten van de heilige", W Suto, De Volkskrant, , August, UK, 1996, ,

"A lighthouse and Some Tapdancing: All in a Day's Work", Ingrid Swenson, Make: The Magazine of Women's Art, issue 72/October-November, UK, 1996, pp14-16.

Berwick Ramparts Project, Nothumberland County Council, Berwick upon Tweed Borough Council, English Heritage and Northern Arts, UK, 1996.

Container '96: Art Across Oceans, Copenhagen Cultural Capital Foundation, 1996.

Swinging the Lead, International Festival of the Sea, Bristol, UK, 1996.

"Tacita Dean: Tate Gallery", Del Re, Cianmarco, Flash Art, May/June, 1997, p115.

"Aus Frankensteins Centabor", Ebner, Jorn, FrankfurterAllgemeine Zeitung, 18th October, 1997, p42.

"Tacita Dean, The Drawing Room", Frances Richard, Artforum NY, November/December, 1997, p116

"Drawing that Pushes Beyond the Boundaries", Roberta Smith, New York Times, 21st March, 1997.

"The Celluloid Cave", Roberta Smith, New York Times, 27th June, 1997.

"Rewards &Visiting Uptown Galleries", Roberta Smith, New York Times, 28th November, 1997.

At One Remove, Henry Moore Institute, Leeds, UK, 1997.

Cahier No. 6, Witte de With Center for Contemporary Art, Rotterdam, 1997.

Flexible, Museum fur Gegenwartskunst, Zurich, 1997.
"Insert with Blackboard Drawings", Tacita Dean, Parkett, , 50/51, 1997.

Tacita Dean, Disappearance at Sea:A Book of Blackboard Drawings, Edition Adelie, Limoges and Ecole Nationale de Bourges, 1997.

Tacita Dean, Teignmouth Electron, Book Works and the National Maritime Museum, Greenwich, UK, 1997.
"Interview with a Dead Deceiver", Silvia Brownrigg, Frieze, March-April, UK, 1998, pp70‑2.

"Cinema and the Sublime", Cianmarco Del Re, Contemporary Visual Arts, issue 19/Summer, 1998, pp40-47

"A masterly exercise in sadism", Richard Dorment, Daily Telegraph, 4th November, UK, 1998.

"Beyond the Lighthouse: A Reflection on Two Films by Tacita Dean", Maria Walsh, Coil, Issue 6/June, UK, 1998.

Cahier No. 7, Witte de With Center for Contemporary Art, Rotterdam, 1998.

Voiceover: Sound and Vision in Current Art, South Bank Centre, UK, 1998.

The NatWestArt Prize, NatWest Group, UK, 1998.

The Turner Prize 1998, Tate Britain, 1998.

Cream: ContemporaryArt in Culture, Phaidon Press, 1998.

Wounds: Between Democracy and Redemption in ContemporaryArt, Moderna Museet, Stockholm, 1998.

"Artists Film and Video Part 1", Brian Ashbee, Art Review, Vol.51/February, UK, 1999, pp60-61.

"Cine Qua Non", Barry Schwabsky, Artforum, March, USA, 1999.

"Chalk One Up for Light Fantastic", Beatrice Colin, SundayTimes Ecosse, 19th September, UK, 1999.

"Is That a joke", Jonathan Jones, Guardian, 4th November, UK, 1999.

"The Art of Tacita Dean", Barry Schwabsky, Artforum, March, 1999, pp98-10l.

"Misfit Lost in Time and Space (Martin Thompson meets T. Dean and Donald Crowhurst's son)", Martin Thompson, Sunday Telegraph, 28th March, UK, 1999, p7.

"Tacita Dean", Maria Walsh, Art Monthly, June, UK, 1999.

Geschichten des Augenblicks, Lenbachhaus Munchen and Hatje Cantz, Munich, 1999.

HotAir, GranShip Convention and Arts Center, Shizuoka, 1999.

From A to 8 (and Back Again), Go Away: Artists and Travel, Royal College of Art/Pale Green Press, UK, 1999.

"The Wooster Street Mystery", Nick Coleman, Independent, 18th March, UK, 2000.

"Tacita Dean", Peter Wollen, Afterall, ,2000.

"Thick and Thin", Adrian Searle, Guardian, 8th July, UK, 2000.

"Tacita Dean, Maurizio Cattelan", Roberta Smith, New York Times, 17th March, 2000.

Landscape, The British Council, 2000.

The Sea and the Sky, Beaver College Art Gallery, Philadelphia, 2000.

L’ombra della ragione, La Calleria d'Arte Moderna, Bologna, 2000.

Intelligence: New British Art 2000, Tate Britain, 2000.

Amateurl Liebbaber, Kunsthallen Kunstmuseum, Gothenberg & Hasselblad, 2000.

Artifice, The British Council, 2000.

Somewhere Near Vada, Project Art Centre, Dublin, 2000.

Media_City, Seoul 2000, Seoul Metropolitan Museum, 2000.

Vision and Reality, Louisiana Museum of Art, 2000.

"Age and Beauty", Adrian Searle , Guardian, 20th February, UK, 2001.

Arcadia, National Gallery of Canada, 2001.

"Tacita Dean at Tate Britain", Catherine Elwes , Filmwaves, 15, UK, 2001.

"Future in Focus", Felicity Sparrow , Vertigo, vol 2#1, UK, 2001.

"Dean at Tate Britain", Vertigo, vol 2#1, UK, 2001.
Tacita Dean and Martyn Ridgewell, Floh, Steidl Vertag, 2001.

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