Animation, Interactive, Film & Sound
Haptic Aurality and the Queering of Memory: Subversive Methods in Audio-Visual Practice.
Physical Cinema: a resistant strategy in the Syrian Genocide.
Traces of Non-Muslim Female Identity in the Case Study Istiklal Avenue, and Its Representation in Fine Art Practice
Sounding Chinese: tracing the voice of early 20th-century to present-day transnational Chinese.
Ambient poetics and critical posthumanism in expanded cinema
Ecoacoustics: Ecology and Environmentalism in Contemporary Music and Sound Art
Physical Composition: Investigating the notion of the physical as a compositional tool by defining the term and its use through creative practice
A Sound Map of the Egyptian Museum, Cairo (excerpt)
How to (Re)Do Things with Sounds: Mediating the Sonic-Deed
A feminist dialogue with the camera.
How can the projected image be used to convey an experience, the material and physical essence of place?
Deep Listening: the Strategic Practice of Contemporary Female Experimental Composers post-1945
Exploring the notions of Silence and Sociality: New Contexts of Listening in Contemporary Music Improvisation
The Evolution of Exhibition Grammar since the 1960s due to the Assimilation of Moving Image Practices into the Art Gallery and Art Museum.
Vibrating the web: sonospheric studies of media infrastructure ecologies
Select Reject Reconfigure: Editing Speech in Artists’ Direct Address to Camera
Into the mainstream: radical independent documentaries and television in Britain, 1974–1990
The Eye that Cries: How might autoethnography investigate aphasia in Peru’s post-colonial memory debate?
Dispersed narrative: a reading of contemporary film and video in the gallery context, 2000-2012.
The Listening Artist: How can multiple listening strategies inform contemporary sound art practice?
Constructing the architectural moving drawing: transdisciplinary practices between architecture and artists’ film