Critical Theory in Contemporary Art Practice - Dubai
Over the last two decades, the study of art history in art education has been complemented and often superseded by the study of critical theory, while art theorists and critics bring political, social and cultural theories to bear on the interpretation of art...
Taught by: Kirsten Cooke.
Over the last two decades, the study of art history in art education has been complemented and often superseded by the study of critical theory, while art theorists and critics bring political, social and cultural theories to bear on the interpretation of art. This course bridges this transition and maps the field, enabling students to locate their own research interests. Through lectures, seminars, tutorials and gallery visits, we will familiarise you with key concepts and historical transformations underpinning twentieth century art production and reception. You will extend and develop your ability to discuss, write about and judge contemporary art. You will look at the impact on contemporary art practice of feminism, post-colonialism, philosophy, psychoanalysis and political theory and examine art practice from different theoretical perspectives and critical debates in the field. You will be supported in identifying thematics and practices that are relevant to your studio practice and assisted in contextualising your work. What kind of knowledge and skills do contemporary artists need? What is the relationship between art and entertainment? How do we recognise art? These are just some of the questions we will address as you explore and examine the historical and critical context in which contemporary art is made, circulated, seen and understood.
You'll be able to critically discuss and evaluate contemporary art in terms of its production and exhibition. You'll be able to place your studio practice in context.
Who Should Attend
This course is designed to provide art graduates, practising artists and curators with an encompassing introduction to key theoretical discourses that underpin the production and interpretation of art. It provides a platform for students to develop and articulate their own ideas on art production, exhibition and reception. It may suit those wishing to apply for a postgraduate degree in art or to pursue a career in the arts sector.
Please Note: When making your booking please do not tick the 'If you DO NOT hold a UK/EU/EEA passport please click here' box as this is only relevant to bookings for courses held in the UK. If you are a non-UAE national booking a course in Dubai please ensure you obtain the correct visa if required for entry into the UAE.
Dr Kirsten Cooke is an artist-curator and has co-authored the projects: Material Conjectures, KollActiv and House of Hysteria. This year Cooke completed her PhD in curatorial practice at the University of Reading and she has delivered papers/written texts for projects in London, Paris and LA. Cooke's practice experiments with different forms of staging and deploys architectural environments to choreograph artworks.
Recent exhibitions and projects have been staged at kynastonmcshine (The Old Police Station, London), Beaconsfield (London), Sonce Alexander gallery (LA), and the Universite Paris 1 Pantheon-Sorbonne (Paris). In 2016, Cooke has staged the exhibition and performance programme Pressure Chamber: Nematodes at ArtLacuna (London) and will be curating the following exhibitions as part of her co-authored projects: Concrete Plastic in September at Los Angeles Contemporary Archive (LA) and Abandoned Temporary Treatment Facility in October at Beaconsfield (London).
Please bring the following materials with you on the first day:
- Notebook and Pen
- Examples of your work (images or time-based media on a USB flash drive, online content or portable work)
- A laptop or portable device with wifi